Bookends literary agency BOOKENDS LITERARY AGENCY BookEnds Talks to Lynn LaFleur and Kimberly Dean Tracy Marchini (she/her) is a children’s author and Senior Literary Agent at BookEnds, Jr. Is career-focused, rather than book-focused. We'll reply as soon as possible. Her interest in storytelling bloomed the same year in an essay she wrote for school about a magical crayon that came to life to help solve a mystery. Here’s one anecdote that may be edifying. I met with Jessica a few times, then with Jessica and Kim, and I’m pretty sure I spilled coffee on myself at every meeting. New Client Alert — Sara Shamansky. Today I’m going to write about how [] These agents have a “good eye” about which homes to represent/sell. You should know how much of an editorial agent you want (or don’t) and what that means to each agent you talk with. Now the publisher has been “acquired” by another firm and are divesting their fiction arm separately (I don’t think they have a buyer though) so I may have my Being a spoken word poet, Ramona knows that her voice is her strongest weapon and continues to highlight that as a BookEnds literary fellow in her capstone podcast, Hollow Moon. Along with managing her own client list, Jessica works with agents across the globe to sell translation rights for many of BookEnds’ titles. [] Large batches are not a good idea, especially for the first round because your query is untested and probably has any number of fatal flaws. The agents who are hungry and want to build a list. A reader asked if choosing an agent is anything like choosing a doctor; do you consider an agent’s gender when submitting or making that final decision? Does it make you more comfortable to think you might have an agent of a [] I. As Co-Director of the PB Rising Stars Mentorship Program and Marketing Manager at BookEnds Literary Agency, Layla is dedicated to uplifting both During the day, she’s a professional orchestra librarian and musician, but her love for data, spreadsheets, and systems comes in handy in the accounting department of BookEnds. This is when, thankfully, you can finally put that book to rest and let the agent do all the hard work. Amanda Jain . Our submission guidelines are fairly simple and easy to find. BookEnds works with a vast network of co-agents to license translation rights to our clients’ projects. Or is it best to look for an agency that represents multiple genres, and hope that you can be represented by more than one agent within the firm? What was the most important question you asked when interviewing agents? I wanted to know how involved they would be and whether they would have the level of interest in my work as a whole that I wanted, but luckily I’d already stalked the BookEnds YouTube channel so had heard that they were really relationship-focused and repeatedly Olive Literary Dog (she/her/hers) It was Jessica Alvarez who we thank for guiding us to Olive. The ones who have all the support and connections of the rest of the agency. Layla is a Kurdish-Canadian author, artist, and advocate for diverse storytellers. Just as I’d thoroughly examine a real estate agent’s track record on sales before signing on the dotted line, so am I doing with literary agents. It’s what happens after that when the real work begins. Sarah is an avid reader, with a fondness for prehistoric fiction and high fantasy, and her favorite authors include Katherine Arden, Brandon Sanderson (for the Cosmere I printed out most of your guidelines for a submission. Emily Forney Literary Agent (she/her/hers) Emily is, as she likes to say, a professional fangirl. I’ve always said that when you get an offer of representation, or from a publisher, for that matter, you need to use that offer as leverage to find the agent who is best for you and your work. Senior literary agent Jessica Faust defines genre and fiction categories, including upmarket, commercial, and literary fiction. Here is more from them about exactly what they’re looking for: Amanda Jain Maggie Nambot Literary Assistant & Finance Manager (she/her/hers) Maggie Nambot is the finance manager at BookEnds and the literary assistant to Kim Lionetti. What you Write: Young Adult . I mentioned in the query that the work is divided into four parts, and I debated with myself to promote the first part (51,000 words, which is the shortest) or the whole [] My book is a Literary Fantasy—basically, it’s a family saga set in a fantasy world. BOOKENDS LITERARY AGENCY BookEnds Talks to Lynn LaFleur and Kimberly Dean When authors are getting ready to submit to agents, I see a lot of them who get caught up in what’s really too ridiculous to stress over, and that’s formatting. When she’s not immersed in fictional worlds, she’s a busy mom of 2 (and two fur babies, Rambo & Criminal (cats)), an avid baker, candle-maker, and “I’ve said many times that when querying one agent at BookEnds you are really querying the entire agency. I [] This is something your agent will ensure when she negotiates the contract. If you’re happy with your agent. Just got another no, so this wonderful posting of yours is exactly what I needed to hear! This may sound corny, but as you say, what the hell: sometimes when I read your posts, I imagine you’re one of those earthly angels that every writer desperately needs during this phase of the submissions process. It’s how readers will one day find your book and it’s how agents find new clients. She also loves business books in the areas of entrepreneurship, leadership, management, and career. What you Write: All things Romantasy! Agent: . About four years ago this author had an experience with a psychological thriller where in the end she received eight offers of representation and signed with a heavy hitter. I’ve seen many an agent turn a publisher’s offer into a full-blown auction. Once revisions are complete it will be time to submit. Since I read your blog religiously, I saw that there was lag from the transition from an agent’s personal inbox to Query Manager, so I queried again BUT with another agent here at Bookends who reps the same genre because 1) An exclusive is when an agent and author give one publisher an exclusive look at the book before sending it to anyone else. I’ve learned a lot from my blog readers about what you’re looking for in an agent and a lot about ways I can change my processes to make things easier for authors. Literary agents Jessica Faust and James McGowan talk about the process of submitting manuscripts to editors, how agents and authors decide when books are ready to go on sub, and how agents choose their submission lists and strategies. This is as important for agents as it is for authors. Websites like Query Tracker and Publisher’s Marketplace are great for those in the States, but there are really few options for those outside the USA, Canada and the UK. Jessica Alvarez has been an agent at BookEnds since 2011, representing everything from rom-coms to cookbooks to true crime. Earlier in the year she adopted her own Sidney from Rescue Dogs Rock and urged me to check out their rescues. I learn so much and it gives me hope and inspiration to reach my goals. Are books two and three for the exact same terms (advance, print run, percentages, etc. BOOKENDS LITERARY AGENCY BookEnds Talks to Lynn LaFleur and Kimberly Dean Last month, to my great joy, we revealed BookEnds, Jr. com, or the appropriate co-agent for your territory. Jessica is looking for romance, rom coms, upmarket fiction, and book club fiction. — Heather; These are the same traits I look for in an agent. And some questions a literary agent may ask [] A quick and non-exhaustive guide to obtaining a literary agent - R4 What Happens When an Agent Submits Your Book? Aug 23, 2023. Agent: Emily Forney . Any time I tell any author she has to submit or write a synopsis, I invariably get a loud groan. He Dan, from what I've heard, most UK agents still only accept submissions via post — I imagine this means fewer submissions and thus more time can be spent reading materials — many US agents that accept snail mail subs want pages (10, 3 chapters, 50, etc. And they give their sellers good, solid advice about what needs to be fixed in the homes in order to make them sell. Whatever deadlines you’ve been working under, however, will change dramatically once they become contracted requirements. Faust, and part of her rejection mentioned my word count being too high (230,000 words). BookEnds Talks to Lynn LaFleur and Kimberly Dean; BookEnds Talks to Kathy Brandt; Welcome; BookEnds Talks to Michele Scott; BookEnds Talks to Jolie Mathis; Question of the Month, Part 1; BookEnds Talks to Sue Owens Wright; BookEnds on the Radio; Question of the Month, Part 2; How do you feel about prologues? I’ve read arguments for and against them, but I’ve not seen the issue from an agent’s POV. Let me tell you a little secret. I was rigorously lining up agents to send materials to rather undiscriminatingly; I chose them based on, among other factors, the types of books they were listed in various resources (sometimes their websites) as handling–such as self-help, narrative nonfiction, psychology, etc. All companies can pay editors and agents better and take time to understand their Another year is coming to a close, and with the coming New Year it’s time for BookEnds to evaluate how the old year has gone and to make our plans for 2007. Now there are endless websites listing agents and authors’ opinions on agents. And I [] Caveat: Even though a 50,000-word document can be a full manuscript, it depends on what genre you’re writing. The website and logo have been in the works for close to a year, but the idea has been in my heart for close to 20. In science fiction, Naomi seeks stories that let the character development take priority over tech. She joined BookEnds in June 2016 as their first picture book and illustration agent, and is thrilled to represent a diverse and inclusive list of debut and award-winning creators of fiction, non-fiction, and illustration for children. Lately I’ve received a number of submissions that did not include the synopsis I requested. Women's Fiction | 21 Jul, 2023 According to Agent Tangerine, she had opened an “agency business” she was calling “Book Ends. I’d always assumed my ms. Foreign. Perkins Agency. However, all that being said, [] Deadlines. The reason agents [] How do you find a literary agent? Finding a literary agent must have been so much easier before information was so readily available on the internet. I understand that kicking out an 800 page novel (200000 words then) is going to be an extra cost for a publisher and I'm not even gonna bitch about the sheer number of novels over 600 pages I have and/or read (OK I admit, they are pretty much all sci-fi and fantasy, Dean President of BookEnds, Jessica has built an agency that strives to bring the best books, written by the best authors, to your shelves. Social Media and Literary Agents By: Jessica Faust | Date: Jan 20 2022 I’m not sure how much social media impacts other careers and professions, but there’s no doubt that sites like Twitter and Instagram have played a huge role in publishing and, specifically, with literary agencies. Before you send anything out to agents I suggest you spend some time on agent blogs, web sites, or, at the very least, reading a book or two on what agents expect from submissions. Back in the early days of BookEnds the only options available to authors were Writers Market and the LMP. She also claimed to have worked with the Bent Agency. I thought an agent might help me negotiate, but I was advised by a writing teacher that no agent would be interested in a first-time novelist and a no-advance contract. ” She stressed that her agency was not to be confused with BookEnds. Sometimes, I feel my agent believes in my book more than I do. Please refer your agent to other authors. Although, you’ll probably be done before your agent. From the early days of crafting fiction prompts on Tumblr to writing miniseries on how to write a successful fantasy battle scene, she fell in Senior Literary Agent (she/her/hers) Rachel Brooks moved to BookEnds in 2017 after spending three years as an agent at the L. I printed out one page. BOOKENDS LITERARY AGENCY BookEnds Talks to Lynn LaFleur and Kimberly Dean In my opinion, a good agent: Is a cheerleader. You don’t always have to reach for the top agents at an agency. Agencies can feel intimidating and unapproachable, but there is a warmth about BookEnds that feels like an open hand. My query was just recently rejected by Ms. The concern is that companies are “hiring” unpaid interns to do work that should be done by paid assistants. In fact, it barely matters. They should also be self-explanatory. You may [] I recently received two very similar questions, and rather than answer them separately I thought I’d lump them together. We’re so trained to focus on an agent. I will identify the agency involved at the end. Look for those junior agents. This is an incredibly basic detail and one I think most of my readers have known or understood for a long time. Today I want to introduce you to the fabulous team making my dreams a reality. In October we posted a request for reader questions and got some great ones . Leveraging the Deal: A good agent will often use that original offer to leverage your deal, potentially with other publishers. Using the editorial skills learned during her first eight years in the industry at Berkley After two rejections from the same agent, I strongly recommend you wait (for that agent) until the next book is done. Amanda is currently looking for adult horror, mystery, romance, upmarket & book club fiction, and science fiction & fantasy projects, and always enjoys historical fiction in all genres. Feared by some, loved by others. Since joining the publishing industry, she's grateful to have worked with award-winning and BookEnds Literary Agency opened its doors in 1999 and, with the addition of BookEnds Jr. Maybe it was a weekly deadline for your critique group or a daily deadline for yourself. Honestly, feedback should never be expected and is never owed an author. It also limits the number of agents you can query – in a field that is already small. The books and web sites treat agents as individual entities. Why BookEnds? I was very impressed by Amanda’s philosophy, her approach to working with a hybrid author (like me!), her The agents of BookEnds represent nearly all genres and sub-genres in fiction and non-fiction. I have access to publishing professionals across the industry and have the ability to get resources I know for a fact I wouldn’t have even known existed without my current job title. Don’t pretend the agent won’t either remember you or have a record of your previous submission. What that means is that when you get an offer Name: Mandeep Toor . Not only are they extremely helpful and engaging, but they have de-mystified the process of agents and the world of publishing. Back in June agent Andrew Zack wrote a series of posts on Bookscan and since then I’ve received a number of questions from authors asking my thoughts on Bookscan and my recommendations for how authors can track Bookscan numbers or their numbers in general. It’s the first in a series. Rather than relay the entire story I’ll sum up (I hope you don’t mind). I’ll consider [] Massive, massive congrats to #TeamMoe author Robbie Couch whose debut novel THE SKY BLUES was named one of 13 Anticipated YA Novels This Spring by the Having no chapter breaks can be a literary device, just as having super-short chapters can be a device. . ” I’ve never thought of it that way. We don’t need to know all the details of secondary characters for example, but we do need to know the twists, the turns, the big climactic moments, and the As an agent, I have thoughts, and insights into why I believe you save far more than you spend by publishing with an agent. That doesn’t necessarily mean everything. I seems to me a traditional publisher would like to take a book like this on. Her favorite genres include contemporary, fantasy, historical, horror, magical realism, re-tellings, romance, science fiction and anything LGBTQIA-centric. It’s what gets customers in the door of a new restaurant, how you find a hairdresser. Not delivering the book, the book being deemed unacceptable, or a legal matter that prohibits publication, could all require repayment of the advance. But did you know our agents are seeking. You Get The Call, here are some questions to ask the literary agent offering representation, by Bookends Literary Agency. Recent non-BookEnds titles she enjoyed include Life's Too Short by Abby Jimenez, Notes on a Silencing by Lacy Crawford, The Final Revival of Opal & I know I queried one agent (Moe, maybe?) here at Bookends for a project *right* before Query Manager was set up, so several months ago. A Time Before Agents When I started my career 20+ years ago it was a lot easier to connect with Big 5 editors without an agent. She attended Florida State University, where she majored in English and Communications. An Agent’s Role. It’s niche, so I knew I needed an agent who really got what I was trying to do. The Importance of Those First Pages | BookEnds Literary Agency says: March 22, 2016 at 9:34 am [] wrote a few weeks ago about the danger of editing and perfecting the first pages of your manuscript, but not following through with the rest of the book. We, as readers, feel most comfortable reading books within the range we’re used to–the length of time it takes to [] My problem is that there aren’t 20-25 agents in the whole of New Zealand (where I live), let alone 20 agents who would be a good “fit”. I am leaning towards one for a novel I am starting, but if they are a current no-no in the publishing world, then I don’t want to sabotage myself immediately. :), Is a great communicator. I know, I know. I first read the book when I was a junior in high school, and I have been obsessed with the storytelling and characters since. It’s obvious that writers would want to read the blog, but when I started it up I never imagined that students, future editors and agents, would read as well. In response to a recent post on Maintaining Enthusiasm, a reader asked: So if a writer doesn’t receive a request for more material or an offer if they sent in a full manuscript, fairly quickly after they submitted, does that mean the agent in question probably isn’t interested? I understand your agency gives a 10 [] Let’s say a new author signs a two or three book deal. I’m a little amazed and confused by both of these numbers. She took over managing BookEnds’ foreign rights in late 2019. I received a contract in the mail from a publisher today. Recently though, we had an interesting experience where an unscrupulous “editor” was looking to take advantage of us. Using the editorial skills learned during her first eight years in the industry at Berkley Publishing, Kim helps authors shape their works into books their readers will love. She’d been feeling neglected for a while, and been unhappy, despite several conversations. As the first literary agent to charm BookEnds into hiring her, Kim has been an integral part of growing the agency, along with her clients' careers. Foreign, translation, and performance rights are handled by BookEnds Literary agents alone or in conjunction with a vast network of co-agents. Sanford What you Write: Upmarket/Women’s Fiction (inspired by historical events) Agent: Jessica Faust Why BookEnds? I love the agency’s values and can easily envision working with Jessica for many years (and books) to come. Finding a publisher is the tiniest part of an agent’s job. The notion of “querying an agency” is, well, alien to everything that we writers have been Usually one agent is the go-to person for the editor, but the co-agent of course has an opinion every step of the way. m a new author looking for a literary agent to help sell my book the shadow of proof a detective story sent in the west midlands Elouise says: December 7, 2018 at 3:31 pm I received a question lately from an author with an interesting experience. If they ask for 3 chaps and you don't have chaps, I'd just send the first 30 pages with a note in the accompanying letter explaining why you've chosen the chapterless structure. What about a self published children’s Christmas book that is designed to become a Christmas evergreen property. Ideally we are seeking someone with expertise or interest in (at least some of) the areas of mystery, suspense, literary Let’s face it, a book on how to get published that features essays from a bunch of authors or agents who have only been out for a year and are relative no-names is far less interesting to you than a book that features essays from the top agents, editors, and bestselling authors in the business. In addition to YA, Kim is actively looking for commercial women’s fiction with a unique, dynamic hook. I absolutely love this YouTube videos offered by Bookends, and Jessica Faust and James McGowan. I’ve experienced so many different aspects of our industry from agenting, editorial, digital marketing, and trade journals, and I look forward to helping an author There’s often a lot of angst from authors about which genre their books might fall into and how to categorize a book when pitching to agents and editors. Now, there are contingencies. These videos are a conversation over a cup of coffee where I leave the table feeling full. Six years ago I queried my "dream agent" with my first query, without much hope since he only does 6-figure deals. As an agent, I can pursue anything from commercial young adult titles to literary middle grade novels to romance novels. When I asked Jenissa this question on our call, the first editor she mentioned was my top choice editor at my top choice publisher. Most recently, she worked at Simon & Schuster as a Contracts Director where she handled all aspects of contract drafting and BOOKENDS LITERARY AGENCY. I queried widely without success prior to submitting the manuscript to a few publishers that accept unagented material. That being said, I kind of wish I still did. Now i need a bit more. Specializing in representing fiction and non-fiction for all ages, we Speaking of scam agents, the biggest hoax of all time is Miss Snark, and all the dopey fat losers who believe that Miss Snark is a real literary agent in the 212 area code of NYC don't have enough combined intelligence to discern that fraud because none of them can think for themselves, they are too busy sitting on their asses in front of the Senior literary agent Jessica Faust breaks down the publishing 101 knowledge you'll need for entering the world of publishing! BOOKENDS LITERARY AGENCY BookEnds Talks to Lynn LaFleur and Kimberly Dean There’s been a lot of discussion in small business circles about whether or not interns need to be paid for the work they are doing. There are a number of reasons to give an exclusive. A few weeks ago we received an email from a [] Jessica Faust at Bookends discusses how agents decide to offer representation and what goes into preparation for the offer [] Dolores Johnson says: June 4, 2021 at 7:14 pm It’s probably one of the most dreaded words in publishing. HORROR! Three BookEnds agents are seeking Horror (or horror-adjacent) projects in their inboxes. You know, the ones building a list. Moe is interested in fictional works for all ages, including picture books, middle-grade, young adults, and adult readers. For example, it’d work for middle grade fiction, but other genres will veer shorter or longer. . Across the board, she's looking for books that celebrate diversity in all its forms, and would love to see novels with BIPOC and LGBTQ+ characters. BOOKENDS LITERARY AGENCY BookEnds Talks to Lynn LaFleur and Kimberly Dean This is determined by you and your agent as a team. Submissions. Hi there, this is kind of related. Thanks so much for coming to the blog. In horror, Amanda would love to see submissions that feature coming-of-age stories like Stranger Things, stories that trend more psychological than bloody, and fresh takes on Gothic or haunted house I'm always confused when it comes not so much to word count, but to word per page count. However, firstly just wanted to say a big thanks for all the topics covered in your You Tube channel. BOOKENDS LITERARY AGENCY BookEnds Talks to Lynn LaFleur and Kimberly Dean BookEnds Literary Agency shares a snapshot breakdown of their query statistics on QueryManager, with a section for each literary agent. In some cases, the author sent the entire manuscript claiming the synopsis was too hard to write so it was skipped. This is not critical to the rejection or acceptance of your book. The first one is 40,000 words and about a heart surgeon living in San Francisco. Don’t resubmit if the changes to your manuscript are less than a 20% revision. When all is said and done, and a deal has been finalized, both agency clauses will appear in the contract specifying which client is responsible for which agent’s commission, etc. I have an agent now who is in her late forties/early fifties. James McGowan (he/him) is a literary agent at BookEnds Literary Agency, representing award-winning authors and illustrators across age ranges and genres. I received a very interesting question recently, one I had never really thought of. The more they pay you, the more they spend on marketing, etc. As much as we would like to think we will happily read 250,000-word books or plunk down $16 for a 25,000-word book (really a novella), the truth is we tend not to. BookEnds Literary Agency would love to hear from you. I’m going to go out on a limb and say that most editorial agents view their editorial job as for the purposes of selling the book. The hill I will die on is while pitching to agents in person is good to get to know an agent, the best way to find one is still querying. Over the past decade, James has worked across all departments at BookEnds–including the social media and finance departments–which informs his tactical approach to representing clients. My question is: What is the word count for a novella? I [redacted] wrote my novella about an FBI agent, [redacted] (first in series). When revisions end is determined by both you and your agent together. As a literary agent, she wants to champion underrepresented voices A recent post at BookEnds Literary Agency says: [] Meat Cute: The Hedgehog Incident Audio Now Available & FAQs (Special Extras) - Gail Carriger says: December 30, 2019 at 1:10 pm [] Why Preorders Matter [] Cover Reveal for THE TIGER MOM’S TALE – The Debutante Ball says: Kasey Poserina Contracts Coordinator (she/her/hers) Kasey Poserina handles contracts for BookEnds. Please direct inquiries to our Director, Jessica Alvarez, at foreignrights@bookendsliterary. To locate a single agent who represents all of your particular genres can be challenging. I know a [] It’s been years since I’ve done a blog post warning authors of unscrupulous agents–those with little to no experience looking to take advantage of an author’s dreams. For the record, Jessica later described these meetings in a blog post as “a torturous series of interviews”–maybe she was referring to the coffee The most important thing to know about the synopsis is that agents and editors read it to know everything important that happens in the story. I didn’t know what to do [] The agents of BookEnds are smart, hilarious, driven and compassionate group who advocate for all authors, our clients and otherwise. I wrote a dark urban fantasy novel, which was complete at about 65,000 words. Kim was the first agent to join BookEnds and with her wisdom and experience has helped me with some of my toughest decisions. If you like an agent. It’s likely that the minute you became serious about your writing you started setting deadlines for yourself. If you take a [] Why BookEnds? I really appreciate how much BookEnds is tuned into helping new writers. BookEnds is looking to expand into the UK market by partnering with a UK agent. But it was when she asked for a list of places her latest work had been submitted to, and was ignored, As a literary agent, she wants to champion underrepresented voices in literature to elevate them to an even playing field. A friend of mine recently fired her agent. So I signed. ) included, so perhaps the some of the difference is due to emailability. Has a sense of humor. Listen, folks, follow the simple term paper formatting rules you had to follow in high school or college and you’ll be fine. A few different times this year I’ve been asked, through the comments section, whether or not it’s ever beneficial for the author to negotiate a lower advance and higher royalties or if the author should always go for the big money up front. Name: Sylvia Mercedes . My literary agency, BookEnds, has How strictly do literary agents and/or publishers view the issue of word count when it comes to considering new manuscripts?” I reject a lot based on word count, not strictly because I think the range should be 90,000-100,000 words and a 200,000-word contemporary romance is too long, but because a 200,000-word contemporary romance is probably Welcome to BookEnds | 24 Jul, 2023. Her passions include mystery, thriller, suspense, romance, and upmarket fiction. There are a lot of differing opinions on this subject and ultimately [] As the owner of BookEnds, I don’t have performance reviews anymore, and, frankly, in publishing I only had a few. where do i find them please. I know that it’s too short and that it should be at least 80,000, but it’s 356 pages, [] Jenissa Graham Associate Agent (she/her/hers) For Jenissa, her passion for books started in third grade when she read Roald Dahl’s Charlie and the Chocolate Factory and fell in love with the world building and underdog story. In fact, if this question isn’t on your list to ask an agent before signing it should be. in 2017, touts a robust client list featuring hundreds of authors and illustrators. What book do you wish you had written, and why? The one book I will forever be hung over is A Thousand Splendid Suns by Khaled Hosseini. Together Jacky and I sat down to [] Name: Sydney Langford What you Write: YA contemporary and YA rom-coms Agent: Emily Forney What book do you wish you had written, and why? 100% CEMETERY BOYS by Aiden Thomas! I’m in awe of the way Aiden wrote a book absolutely chock full of magic, mystery, culture, humour, and heart while simultaneously navigating tougher topics! Some authors and agents believe a giant advance is better because it shows publisher commitment. Literary agent Jessica Faust goes into great detail to explain what exactly is upmarket fiction and gives examples of authors who write under this genre. That an unpaid internship should be a learning experience. Not when the material is unsolicited, and not even when it’s a requested full. He replied to the email in a half hour requesting sample chapters, and a week later responded with a pass, but with an amazingly helpful letter about the book and its marketability and other tips. Other people believe a smaller advance is better becasue it’s I’m excited to welcome Sunyi Dean to the BookEnds team! Sunyi’s contemporary fantasy is really, really different in the best way – if you want to read an author who understands voice, it’s Sunyi Dean! – Naomi Hello! I thought I’d talk about my query letter process, in case it is helpful to any writers who, like [] I often see people post that they planned to stop querying after 100 agents or they queried 300 agents. Recently one of those students got in touch [] Great post. ) or is everything renegotiated upon acceptance of the second MS. Maybe I’m out of line asking this, but could you give us a feel for the percentage of clients you take under contract whose work you go on to sell to a publisher? Maybe someone needs to create an independent, self-reporting database for authors to register their sales success rates with various agents. Please use the contact form within to reach out to us. Example: Polar Express. She did however, go on to say that she had worked with BookEnds for several years. When BookEnds first began in 1999 we started with something every business should have, a plan. I am a 40 year old woman writing women’s fiction. Thanks for giving us a peek into your real world rather than the one we imagine where you run ten miles before sunrise, cook a healthy breakfast, read two or three manuscripts on your back deck while tanning and planning a healthy dinner you cook from scratch, take Olive out for long fun walks in between the cooking and running and tanning and reading, all while What Authors Need to do to Stop Bad Agents | BookEnds Literary Agency says: August 14, 2018 at 8:22 am [] conversations about bad agents** have increased, so has the call for industry-wide changes to protect authors from these [] BookEnds Literary Agency shares their suggestion of a form letter for querying authors to use when notifying agents they've recieved an offer. I do not have an agent. I would like to think if the first novel sold well that at the very least there would [] Back then, BookEnds was just Jessica, Kim, and a literary assistant. Anything is possible as long as it fits my editorial brand. would appeal to younger women because it deals a lot with getting pregnant, but when I received two agent offers, both were women in that late forties/early fifties age range. It's all im how you pull it off. [] Referrals are the lifeblood of any small business. We would like to work collaboratively to expand your list into the US market and ours into the UK market. These people are learning a skill that they can then directly apply to have a career. Name: Rebecca J. Senior literary agent Jessica Faust lists 14 strategies for having a successful querying process and feeling confident in your query. If you’ve sent out 10-15-25 untested queries, you’ve burned too many “agent bridges” by the time you realize you need to revise. Our current foreign rights guides are below, and you may sign up to receive future rights guides via Naomi is currently looking for dynamic, character-driven adult titles in fantasy, science fiction and represents authors around the world. It could be that the editor provided revisions or even gave the author the idea. But what makes a I have a growing readership among students considering a career in publishing, which is really cool for me. Jessica Faust kicks of #MSWL Madness at BookEnds with her manuscript wishlist for 2019 including fresh mystery, suspense, and women's fiction. Something that explores relationships between family and friends, but within a framework where stakes are raised, and the ordinary In a comment recently I was asked to explain further why agents do or don’t give feedback and when it should be expected, if ever. In other cases the authors sent sample chapters and simply ignored my request for the synopsis. BOOKENDS LITERARY AGENCY BookEnds Talks to Lynn LaFleur and Kimberly Dean As a literary agent, I work with incredible authors and build some of the smartest and most important content I’ve gotten the chance to work with in my life now. I read the blog about Sally MacKenzie and her novella. While writing well does require a large degree of skill, there are too many other factors that determine whether any writer has a successful career. I’m not sure what more you would need. It’s hard, it’s frustrating, and I know of very few authors who like writing them. For those not familiar with Bookscan, let me explain briefly that Bookscan is the book version of UK-Based Literary Agent Partner. But for those [] Apprentices to literary agents could, I suppose, become literary agents. She's particularly keen to find books with pain-in-the-ass heroines, dark and creepy settings with Word count matters. gsnkdx gdp lmfs gywql owrp imnqqq luw dkumi bgwhrd dwig